Microsoft “Family” is part of the web campaign where a host leads a debate about Microsoft’s Stay-At-Home-Server.
Microsoft's 'Stay At Home Server' campaign featured in the New York Times.
Microsoft “Family” is part of the web campaign where a host leads a debate about Microsoft’s Stay-At-Home-Server.
Microsoft's 'Stay At Home Server' campaign featured in the New York Times.
Starbuck's “Fear Santa” is a holiday viral film where a holiday shopper leaves his Starbuck’s Red Cup on top of a cab and goes on a wild ride through the streets of San Francisco.
Starbuck's “Tis’ The Season” is the 2nd viral holiday film where a Starbuck’s Red Cup goes on a journey through a crowded airport ending up being kidnapped by a crazed Santa.
The Red Cup viral campaign featured on the www.inspirationroom.com
Washington Lottery “Welder” focuses on the good will, but terrible construction skills, of the fine residents of Washington State.
24 Hour Fitness “Lance Armstrong” features Nadine Velasquez from ‘My Name Is Earl’ as an energetic trainer who won’t let Lance Armstrong take a rest.
This campaign was created for Jodi Maroni's Sausage Kingdom. The idea was that no matter what the situation, you have to 'Go with your gut' - and when your gut is telling you to have Jodi Maronis Sausage Kinddom, you better listen.
The campaign earned a Cannes Silver Lion and D&AD Yellow Pencil.
What if hockey fans actually got tougher as they watched the games? Fox Sports NHL 'The More Hockey You Watch, The Tougher You Get' campaign shows different hockey fans watching game, and simultaneously gaining in toughness.
The campaign featured in Shoot magazine.
The spot follows the path of ‘acknowledgement’ from Tracy McGrady through the whole team after a last second shot.
The Fox Sports MLB 'Beware Of Things Made In October' campaign earned a Cannes Gold Lion.
Beware of Things Made In October insight came from the fact that baseball fans are completely absorbed in the baseball playoffs - even at work. Baker Smith of Harvest directed the campaign. The spot 'Nailgun' was nominated for an Emmy.
The spot 'Nailgun' was nominated for an Emmy and featured in Shoot magazine.
The campaign featured in Adweek magazine.
This campaign's visual effect was created by continuously looping a series of still photographs. The entire campaign was shot using still cameras.
To launch the Sony Playstation, we decided to look out into the future at what the PS9 might look and feel like - with holo-phonic mind control and air-born game spores that fly into your brain through you nose.
The spot featured in Shoot magazine.
The campaign earned One Show Silver pencils.
The WSJ Masthead campaign gave the paper more personality while keeping the integrity and history of paper.
The spot earned a Cannes Silver Lion.
Tennis has always been seen as more of a reserved, quiet sport where the crowd has to hush for every point. Nike wanted to bring more excitement to the game, so we brought tennis out of the court and into the streets. 'Guerilla Tennis' was shot by Spike Jonze.
Guerilla Tennis redone over 20 years later!
The print ad was featured in Communicational Arts Mag Ad Annual.
The NIKE Air Max2 tennis shoe is very, very comfortable on the hard court.
This campaign won One Show Gold.
Nike’s ‘Playball. Please.’ campaign was launched as the baseball strike began. The work featured a lone fan doing things in an empty baseball stadium to pass the time.
The 1994–95 Major League Baseball strike led to the cancellation of between 931 and 948 games overall, including the entire 1994 postseason and World Series.
The campaign featured in Baseball Weekly.
The campaign featured in the Wall Street Journal.
This Nike basketball spot was directed by Jake Scott and featured the top NBA rookies Kevin Garnett, Eddie Jones and Jason Kidd. The track was recorded by KRS 1.
This Nike US Open Tennis campaign was inspired by the rivalry between the two of the greatest tennis players of all time, Andre Agassi & Pete Sampras. They appeared as a series of NYC subway posters promoting the upcoming tennis event.
David Carson, of RayGun magazine, designed the type for this Pepsi print campaign created at BBDO NY. The campaign used the Pepsi logo with type filling in it's shape on each of the different bottles and cans.
The campaign featured in Print magazine.
The campaign featured in Adweek magazine.